Revealing the Secret of Dance

Understanding Self: Understanding Body

— by Srabasti Ghosh

(Reading Time: 6 min Approx)

Dance is the medium of expression where mind and body work together. Dance, for me is the way in which one can express oneself. Dance is the vase where each part of body gets space to express. Dance teaches to understand each part of the body, every muscle. Dance helps to understand the strength of the body and also enhances power of body. Therefore, as body is the central medium of dance, understanding one’s own body must be the primary focus for all practices. At the same time, one actually cannot separate body and soul. That means dance is the form of practice where the connection between mind and body happens continuously, equally and simultaneously.

Being a student of dance, I felt that while dancing I always focus on how perfectly, how beautifully I am moving. I think this is quite a natural feeling for all dancers. But I was getting stuck in this ‘perfection’. As a result, I was not getting the joy from my dance. I felt that I am not dancing for myself at all. I am focusing on beautification, rather than on myself. That started bothering me. This point of time, I have had gone through another experience, where I learned from a contemporary dance class that I have no career in dance as I am short! But rule of modern dance is saying, Anybody Can Dance (ABCD), irrespective of height, weight or any other barriers.

From this point, my take on dance has drastically changed. I do not believe in teaching. My workshops mostly are based on exploration. I believe in facilitating, co-learning. And, I believe, each of us can dance. We all have our own body type, body rhythm. Therefore, we all dance in our way.

Here, particularly, I want to talk about one workshop, I have facilitated with a group of people from Alternative Living Theater. The workshop named, Moving Body in Dance and Theater.

Image Courtesy: Canvs Dot In

The primary focused areas of the class were connecting mind and body and through this, focusing on’ INNER SELF ‘, or searching for self. There was no ‘teaching’ on how to move or where to move. The participants were asked to move the way in which they want to, their body wants to, their self wants to. That also talked about acknowledging each body part, each movement, even the smallest movements of the body. At the same time, this acknowledgement is also for the self. One needs to be aware about the polarity of emotions we carry, and one needs to acknowledge the polarity ‘each’ time.

Image Courtesy: Unsplash

Loving and understanding inner self, helps to extend love and acknowledgement to the other. Thus, a group of people can connect with each other and work together in a better way- That was the takeaway from the class.

Therefore, all the workshops, I take, are based on the methodology of exploring one’s self, one’s own body. Therefore, here, for me, or in my space, I see dance as a tool for self-expression, a holistic approach of well-being. For me, until one cannot understand own self, he/ she will never be able to create or think independently. I believe, each one of us, who are connected with dance and theater practice, we all need to see art or performance as a method of own conversation. Otherwise, everything becomes a very much one person oriented, ‘director’ oriented performance. That system offers the authority to a particular person and that creates an obnoxious hierarchy in performing art field.

Image Courtesy: India Tour Operator

Hence, listening to inner self, understanding self and reacting through self are essential things. Body is the main and primary tool that contains that ‘Self’. Therefore, one needs to understand self to understand body, as body embodies ‘self’.

 

Please follow and like us:

3 thoughts on “Revealing the Secret of Dance

  1. This article is lovely as it stresses on the scopes of dance beyond the typical teaching methods in India based mainly on imitation and perfection of moves.

    Well, I do notice certain problems in the system and technique of teaching Indian dance forms which I would like to share-( in spite of not many people giving importance to what I feel- though I have supportive evidences )

    1. Lack of interest/ knowledge of the subjects Dance Science and Dance Anatomy and incorporation of developments in these subjects in teaching techniques

    2.Tendency to cling on to orthodox and primitive practices which are somewhat unintelligible

    3. Lack of knowledge and disregard of structural and anatomical variations – both teacher and students are mostly unaware

    4.Pressure that in a class, everybody has to do the same type of exercise and movement- if someone is incapable, then the learner is scolded, jeered at or made to repeat the movement which may cause repetitive stress injury( all movements, all exercises are not meant for everybody)

    5. The way in which dance is taught to children is often very inappropriate due to lack of understanding of modern anatomical and psychological principles

    5.Lack of understanding of which movement is suitable and safe for which body type

    6. You are mostly not allowed to think and feel – just copy and memorise

    7. Lack of knowledge of Laban Movement Analysis and Rudolf Laban’s approach of teaching dance

    In the western world, even in ballet, many changes are being incorporated based on modern anatomical and psychological principles- but Indian classical dance is lagging far behind, I feel mainly because of the rigid mentality of the dancers.

    I did chance to attend two workshops on ” Dance Anatomy” and Laban Movement Analysis in Kolkata, but till now I have not come across any Indian dancer willing to listen to all this. Well these things are not only meant for Western dance forms…..these principles can be applied in the practice of any form of dance.Then why not in Indian dance forms?I sometimes go through the internet, books from Ramkrishna Mission…..e -books- I tell you, if Indian dancers do want to keep abreast with these modern developments, it will cause no harm,but dancing will become more enjoyable and true to the dancer’ s self.

  2. I am recently going through You Tube videos of Bharatnatyam dancer Smt. Rukmini Vijayakumar.It is very nice to see that an Indian classical dancer has researched about anatomy and psychology and trying to incorporate all this in her dance and Raadha Kalpa method. She also has a Facebook page. She is getting good responses also.
    Some links:
    https://youtu.be/LNB8S3a4LTU
    https://youtu.be/8FalrusiECg
    https://youtu.be/z60V62sqI4k
    https://youtu.be/jl4_I5F1Muc
    https://youtu.be/vQkp1jp3bvU
    https://youtu.be/hLqOU9X6fnY
    https://fb.watch/cTd5mhhM6A/

    I really admire her honesty and down-to-earth attitude in the videos.

    It is essential to understand your body and develop more awareness and respect for your body instead of abusing it and forcing it to fit into movements and subjecting yourself to erratic schedules and routines.

    Also,why always complex movements? Simple movements can also be beautiful,expressive,effective.

  3. Thank you for sharing such an informative and insightful blog post. I enjoyed readingyour unique perspective on the topic and the valuable insights you shared. To delve deeper into this subject, click here.

Leave a Reply

Your email address will not be published. Required fields are marked *